Short answer: most actors should start with two looks, one commercial and one theatrical. Add character looks once you know the types you are being called in for.
Casting sees your headshot as a small thumbnail long before anyone watches your tape. It has to tell them, at a glance, what you can play. One photo rarely covers both the friendly neighbor in a commercial and the detective in a drama, so you need one image for each side of the work.
| Commercial | Theatrical | |
|---|---|---|
| Feeling | Bright, friendly, trustworthy | Grounded, layered, still |
| Light | Open and even | More shape and contrast |
| Wardrobe | Clean color, everyday | Darker tones, texture |
| Books | Ads, industrials, hosting | Film, television, stage |
Once you start to see a pattern in what you are called in for. If you are regularly reading for the young professional, the parent or the person in uniform, a look that leans toward that type helps casting picture you in the role. Add them one at a time, based on real auditions and not on guesswork.
Bring several tops in solid colors that suggest the roles you play. We review them together at the start and decide which ones serve each look. Outfit changes are unlimited, so you do not have to narrow it down at home. Everyone who books also receives a full preparation guide.
The quickest way to lose a room is to walk in looking different from your photo. I keep retouching light, so the person in the headshot is the person casting meets. If your hair, age range or overall look has changed, it is time for new headshots.
Yes. A session with me can cover commercial and theatrical looks, and you are coached through every expression, so you are never left wondering what to do. You see the images on the laptop as we go and choose your finals at the end.
Related reading: professional headshot for actors, comedian headshots and photographing actors.
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